ON LEAVING THE BACKGROUND TO THE VISIT SERIES.

  In July 2011 I went to London to drop off some entries for a competition.
I had been shooting parting shots for 15 months and had completed about 50 images by that time.
As the months moved on I kept in touch with a number of sitters one of them Being Conor Mc Mahon who I had photographed a year previous in his own  back garden.
Conor  who now lived close to London invited me to stay over with him on my trip and suggested we meet in Victoria railway station after I had done my work up at Elephant and Castle.
Just before this time I was gifted a 6x6 camera by an old friend Brendan Doyle(retired  photographer at the National Museum of Ireland). It occurred to me that the 6x6 with a wide angle lens and waist level finder was a way back to a style of shooting I had used in the past that could provide a nice counterpoint to the very stylised colour heavily lit parting shots.
I endeavored therefor to try out a roll of black and white TMAX400 in this format and see how it worked.
The results were published on my blog on what was one of the most important days of the project to date december the 2nd 2011(see it here)(it will become obvios why if you read the post)
I continued to hone this technique through making photographs of sitters who returned(see here)
And I was delighted with the results. I made a trip to France and photographed another sitter in Quimper,Brittany Happy that my technique was good and the chance of sucess was high I set off to Australia in Late October with 3 boxes of Tmax and my 6x6 camera.To date I have shot over 30 rolls of film making this piece of the project and I will endeavor to meet as many of my sitters for this very exciting part of the process before complete the project proper.
Other works in this mode I have published on the blog where the following, Claire Weir and Brian Maxwell,Sarah Griffin,Aoife O Donnell,and Marie Carroll
All of these follow on visits have been extremely helpful to me in resolving questions asked of me by the project and for me this has been a key element of the process as it has given great meaning to the preceding work, adding depth to the stories of the individuals and reinforcing the multifarious motivations that bring about the act of migration.I say once more. It's not a lifestyle choice its a complex mix of desire,nescessity and desperation. This holds true for most of those I have met on this journey.
The Shot on top which features in the current show on in Siamse Tíre is of a great character who's company I really enjoyed on my visit to Byron Bay. A man who was watching his working life as a trucker in Ireland shrink and did something about it!Alan Pentony.
The shot was made at Bruswick heads just outside Byron A great location on beautiful day.

 Another I share with you on this post was one of the most memorable of the Australia trip.
On visiting Rockhampton, Quensland  I was brought up Mount Archer and made some shots Of Clay Crighten looking out over the Fitzroy river and his home town Rockhampton.Clay worked as a storeman in Ireland for some years before he and his Irish wife Rae Green decided to give Australia a go.
I am honoured to have met these people again in their new homes and I will endeavor to get over to the Americas to continue this process. I will also,in a future post,  fill in some more details about the show in Siamse Tíre and how a heartbeat  served as a worthy metaphor to pull two shows together (a visual ON LEAVING and a theatrical IMIGÉIN (The Scattering)both which launched on the same night)

 This post contains several back links to previous posts which in turn flesh out the story of the monochrome images in this exhibition please click through and enjoy.
Also please share and comment as both actions bring me nothing but joy!
DM1.

IT'S NOT ALWAYS A WALK IN THE PARK!

Life in modern Ireland certainly is tough,no doubt about.
And it gets harder!
The next round of cuts to pay are all lined up,add a dose of propery tax,a liberal amout of watercharges,remove a couple of Billion from next 3 years budget and there you have it things getting tougher for a few years to come.
Truth is things have not bottomed out just yet.Our  downward spiral continues!!

THE STRANGEST OF SYNERGIES

This post is a tad late. So apologies if you have been waiting around anticipating the third chapter in my three shots in a week post!!
I have to admit that right now I am awe struck at the pattern of events that have conspired to become this moment, when so many forces have pulled together to catapult my mind and my leaving Dublin project of into a higher dimension. Allow me to explain.

Aoife O Donnell is 'leaving Dublin', she is off to New York.A graduate of the D.I.T. photography school on Meeting house square,she shares with me a passion for photography and many happy memories of time spent on this square and in its environs.Aoife said "I am leaving Ireland primarily for personal adventure but also to further my career in photography. I plan to take up a

photography related internship in New York City for a minimum of 14 months with a view to extending my stay or to then travel the world. Having lived in Chicago for a period in 2008 I found considerably more opportunity to train and work in photography than in Ireland. As a recent graduate I now have the opportunity to obtain a working visa for The States so I plan to return there in January 2011.It has been an ambition of mine to live for an extended period in New York since I was 15 and this potentially could be my one and only chance to do so."

She spent 3of the last 4 years here in the D.I.T. building ,In talking with her last night I realised that I had been associated with the Photographic archive ( the building at her back)for the last 12 to 13 years.
It is a sad truth that the three of us (Aoife,the archive,and I),are all leaving our pasts behind us in this Square and Moving on!

The Square was set up as a result of enlightened policy to pull film, art, and photography institutions together in one place and to allow them to synergise for the benefit of all involved in these complementary disciplins.On the square was The ark,the Gallery of Photography,the Irish Film Institute and cinemas,The National Film Archive,The National Photographic Archive,The Gaiety School of Acting,and The D.I.T.photography School.Close by there was a music venue (now called the button factory),Film base,Temple bar Galleries and Studios,And the Project Arts centre.
As far as photography is concerned I think the synergies kicked in last year when recent graduates of the D.I.T school and others,united all the strands of involvement in Photography and set up the Photoireland festival.What a blast that was.It showed how Ireland was now ready to take its place and stand shoulder to shoulder with the rich photographic cultures that exist in Europe, the Americas,and the rest of the world.
Sadly the Photographic Archive for whatever reasons has chosen to retreat to its early nineties position and become once more The photographic collections of the National Library of Ireland.
This Quiet retreat is reflected in the libraries website were all traces of the previous National Photographic Archive have been removed to be replaced by this Introduction to the photographic collections.
I am deeply saddened personally,and see this as a backward step culturally for Ireland in a European and worldwide context.The exhibition space remains open for the moment but soon enough the square could start to fragment with its loss.
However I suppose it is the reduction in work volumes in the last few years that has me chasing personal projects, so for this I suppose I will be eternally grateful.
Back to the images above!The reason we are here.
Aoife as I said earlier is off to New York,and C.B.S.news was interested to make a story around my project.They saw it as a fresh way of showing the return of the age old Irish tradition of emigration,and they were also interested in talking to someone who was moving to the U.S.A.
So up to this point my project was free flowing governed only by its participants with no outside agencies timetabling shoots.
However once we had Arranged to hook up with C.B.S. a date was set for them to interview,Aoife,myself,and to record the goings on at a shoot.
The shoot was set up for friday dec 17th,and low and behold the polar express was being projected on the squares screens that night for an eager christmas audience.
It would have been cutting it to tight to wait till after the square was put back in order after the show so we decided to move the shoot to another part of temple bar(Essex street)
This proved to be crazy busy (as you may see when the video piece is aired later next week),
and as a result I was not totally satisfied with the result.
In consult with Aoife we decided to have a second go,but at the original site chosen by Aoife on meeting house square.
After looking at the final images I realised that the first shot is totally fine,and my dissatisfaction was actually caused by not making the shot at a site so sacred to me,And indeed to Aoife.
We both indeed have lived a lot of our life in this unique square,and now it is a part of my own portrait of a city left behind, and part of Aoife's past.

So many strands coming together at one time have left me a little phased,but on we go propelled by synergy!!
Thank you If you have managed to stay with this post from the start,its a long one!
Please let me know which image works best for you,via the comments box!
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Brian Daly,Artur Sikora,and James Lillis,covered the Essex street shoot.
Whilst Artur Sikora,and Hugh Mc Cabe,handled the rather slow,(due to a crappy mac issue), meeting house square shoot.Big thanks again to them!! And to Dan And Tanya at the Gallery of photography for enabling me to light up!!
david