previous post I alluded to the fact that I was a very capable printer of all photographic and high end artistic projects. Recently I have been involved in 2 projects which have and will be the subject of much media coverage. So, I just wanted to get this off my chest and state it for the record that I did all of the printing for the current show in the National Photographic Archive in Meeting House Square Dublin and about 40 prints for the 20th anniversary show in IMMA also in Dublin
The show in the National Photo Archive is called Power and Privilege and documents the central position held by the big house in irish society from the early days of photography right up to the withdrawal of the British state from the 26 counties that now form the Republic of Ireland(1858-1922).
It is a fascinating collection of images and its power is greatly helped by the presentation.
During the preparation of the exhibition I worked very closely with the curatorial team in making key decisions about sizing, paper type and the means of production. Most of the work came straight from glass negatives and was processed by photographing the plate on a lightbox with the Amazing Hasselblad h3d 50 and the totally sharp Hasselblad H Series HC Macro 120mm f/4. The work was then optimised by pulling it through phocus (hasselblads capture software) then into photoshop for batch inversion from negative to positive, then into lightroom for fine tuning and on into silver fx pro for final adjustments and toning.
This all sounds fairly straight forward but there is one extra ingredient in the mix that some misguided individuals don't value too much these days! And that is the human touch of deep experience.You can't come to photo processing from a standing start and get it right just because you have the right gear, and the tools are only of real value to those who know and understand their true depth. I have worked with glass plates for some 14 years and I know what I am looking at and this has been a major contribution to the look and success of this show (but it is actually invisible and this is how it should be). If you want to see good reproductions from glass plates and small original prints this show is a must.
The Moderns is a huge undertaking by the Staff and Friends of IMMA at Kilmainham and draws from the core collections of IMMA but includes works from other collections like the National Museum, National Library and the Hugh Lane Gallery. Again I was delighted to be asked to shoot and print the works from the National Photographic Archive and some works from the archives of Dublin's various architectural practices. If you are considering hiring me to do your printing, the works in IMMA that I have printed are the following: Six photographs shot by Elinor Wiltshire, four by Fergus Bourke and five prints from the Roger Casement collection. Also in the design section I made some 25 prints from various architects back catalogue these include shots of RTE, Busaras, Ard Na Crusha. etc.
Bye the bye if you are into original vintage photographic prints there is a real treat for you in the Gallery of photography also on meeting house square.
The collectors Eye is an amazing exhibition which give great insight into one mans quest for the greatest
photographs of Irish interest and beyond.Sean Sexton(the collector in question) is a man with great passion for all the emotions a photograph can convey,I met him one night in the gallery a few nights before the opening,and I was blown away by his huge aura and enthusiasm for all things photographic.
It should be up for 3 more weeks or so,so don't miss it.
So to finish this post and get to the point,I am still trying to pull together a type 55 exhibition for next summer.See some of my here
I had a good response to an appeal for contributors but I am still waiting for work from all but one of those who showed an interest.
The Idea is to marry my skill in scanning and printing to put together a memorable show of the finest photographs in this medium,representing Ireland ,Europe and the U.S.A.All in homage to this fine and now,never to be revived films.Probably one of the best tools for expression in black and white photography
I am hoping this post will jog some memories or indeed catch some users of this film's attention and send them my way.
There is no structure or theme to this show save that of the beauty that exists within the frame of a sheet of type 55. If you feel you have some good examples of this please contact me at firstname.lastname@example.org
I really want to get this post to a maximum amount of Artists using this medium so PLEASE,PLEASE
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